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| {dancer with a bouquet of flowers : edgar degas} |
What I remember most about moving junk loads into the room across the hall are the antique encyclopedias, burnt black at the edges and disintegrating. I flipped through their pages, their amazing pictures. Visions of framed word art and collage danced in my head. Alas, the owner of these books--whose previous house burnt down as the paper houses with shoddy electrical work are wont to do here--planned to restore the books. They belonged to her deceased father, who was a doctor on Tierra del Fuego. I handled her heavy heirlooms with care, and didn't nab any of the cool pictures I oh so wanted. I wrote about this ages ago here.
Fast forward... > hostel opens + the books are moved out to the weather, supine to Patagonia's beatings no joke > come end of summer, earwigs hatch; they invade everything, can't lift a sponge or touch a towel without shaking one or five out > the cleaning woman battles them every morning, crushes them underfoot, sweeps out their carcasses, cleans the now overgrown backyard + starts throwing away earwig-infested encyclopedias > I save as many as I can carry and stow them in multiple bags so the tijeretas don't crawl into bed with me at night. They really do that!
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| {another degas interlude (after the bath, woman drying her nape); why? because the next package someone receives from me is from the degas page} |
And yet... there's some artful book maiming out there. Take Brian Dettmer's book sculptures for instance. Only a true logophile would create this masterpiece from Webster's Dictionary...
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| {i say it's synchronicity: webster two point oh} |
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| {anticipate the comfort : the new modern medical counselor : by brian dettmer} |
OK, there's a lot of innuendo here, I hadn't anticipated. Not sure if you're catching it; the subconscious is a marvelous poetic thing. I think it's better to just end with some questions...
How do you feel about writing in your books? Or altering them in some way?












